A native of Poznań, he began his musical education with piano and then continued with clarinet. He is a graduate of the Fryderyk Chopin University of Music in Warsaw. During his studies, he performed the role of Flute in B. Britten’s A Midsummer Night’s Dream at the Teatr Wielki – Polish National Opera and the role of Don Ottavio in W.A. Mozart’s Don Giovanni at the Warsaw Chamber Opera and Schlosstheater Rheinsberg. His debut took place in 2014 in Prague, where he sang the role of Narraboth in R. Strauss’s Salome, directed by Mariusz Treliński. In 2016, he made his debut at the Teatr Wielki – Polish National Opera in R. Wagner’s Tristan und Isolde as The Shepherd and The Young Sailor, also directed by Mariusz Treliński and conducted by Stefan Soltesz. Since then, he has regularly performed on the Teatr Wielki stage, creating roles including: the roles of Tamino in W.A. Mozart’s The Magic Flute, the Novice in B. Britten’s Billy Budd, Glock and the Doctor in S. Prokofiev’s The Fiery Angel, Damazy in S. Moniuszko’s The Haunted Manor, and tenor roles in Moniuszko’s Halka and K. Szymanowski’s Harnasie. In 2022, he made his debut at the Brno State Opera as Tamino in Mozart’s The Magic Flute. During the Janaček Festival Brno 2022, he performed in L. Janaček’s opera From the Dead House. In subsequent seasons, he returned to Brno – in 2023 as the First Jew in R. Strauss’s Salome, and in 2024 as Almaviva in G. Rossini’s The Barber of Seville. In 2025, he took part in a concert performance of L. Janaček’s From the Dead House at the Concertgebouw in Amsterdam, singing with the Netherlands Radio Symphony Orchestra under the baton of Karina Canellakis. In the summer of the same year, he performed the role of the Third Jew in R. Strauss’s Salome at the Baltic Opera Festival. His repertoire includes, among others, Ismaele in G. Verdi’s Nabucco, Nadir in G. Bizet’s The Pearl Fishers, Almaviva in G. Rossini’s The Barber of Seville, Steuermann in R. Wagner’s The Flying Dutchman, and Narraboth in R. Strauss’s Salome. He has also performed contemporary works, including P. Glass’s The Trial, K. Knittl’s The Last Judgment, and K. Penderecki’s Paradise Lost. He also performs successfully in concert and oratorio repertoire, performing, among others, G.F. Handel’s Messiah, Samson and Susanna; W.A. Mozart’s Coronation Mass and Requiem; J. Haydn’s The Creation; G. Rossini’s Petite messe solennelle; R. Schumann’s Paradise and Peri; and J.S. Bach’s Magnificat. He has performed on such stages as the Concertgebouw in Amsterdam, the Teatr Wielki – National Opera, the National Opera in Prague and Brno, the Warsaw Chamber Opera, the Polish Royal Opera, the Baltic Opera, the Castle Opera in Szczecin, Schlosstheater Rheinsberg, as well as in philharmonic halls across Poland, including in Olsztyn, Kalisz, Rzeszów, Bydgoszcz, Poznań, Cracow, and at St. Thomas’ Church in Leipzig. He has collaborated with many renowned conductors, such as Stefan Soltesz, Kazushi Ono, Karina Canellakis, Michał Klauza, Łukasz Borowicz, Jakub Hruša, Christina Pluhar, Tadeusz Kozłowski, Jan Tomasz Adamus, Rafał Janiak, Warcisław Kunc, Grzegorz Nowak, Marta Kluczyńska and Jerzy Wołosiuk, as well as with esteemed directors: Mariusz Treliński, Michał Znaniecki, Krzysztof Garbaczewski, Cezary Tomaszewski, David Radok, Jiří Heřman, Pia Partum, Annilese Miskimmon and Paweł Szkotak.