Artist of the Podlasie Opera and Philharmonic Choir. Bas.

He graduated with distinction from the Fryderyk Chopin University of Music in Warsaw, Faculty of Instrumental and Pedagogical Studies in Białystok, in the solo singing class of Prof. C. Szyfman. He also honed his vocal skills at master classes and seminars led by L. A. Mróz, U. Kryger, J. Frakstein, J. Janucik, J. Rappé, R. Karczykowski, A. Dobber, E. Iżykowska-Lipińska, I. Kłosińska, and O. Pasiecznik. He made his debut on the stage of the Białystok Puppet Theatre as Count Almaviva in a student production of W.A. Mozart’s The Marriage of Figaro, directed by P. Aigner. He also participated in the Opera Academy talent training program at the Grand Theatre – Polish National Opera. In 2013, he made his debut at the National Opera in Warsaw as Marullo in G. Verdi’s Rigoletto. His solo performances include numerous concerts organized by the Polish National Opera and Philharmonic, including Monsieur Reyer in A. Lloyd Webber’s The Phantom of the Opera, Benoit in G. Puccini’s La Bohème, Count Cascada in F. Lehár’s operetta The Merry Widow, and Pilate in A. Lloyd Webber’s musical Jesus Christ Superstar. He has also collaborated with the Diletto Early Music Ensemble, with which he has performed the roles of Aeneas in H. Purcell’s Dido and Aeneas, the bass in H. Purcell’s Ode to St. Cecilia, and the bass in G.F. Handel’s oratorio Messiah. His portfolio also includes numerous concerts with the Toruń Symphony Orchestra and the Suwałki Chamber Orchestra. He is a graduate of the Faculty of Law at the University of Białystok and also completed prosecutorial training.